


"What's it going to be then, eh?"And what you're in for is a taste of the old ultra-violence of disaffected youth...in the case of Alex, a case of love of violence for its own sake. And the follow-up is the violence perpetrated by the state for the purpose of preventing the violence of the disaffected youth.
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, Dim being really dim, and we sat in the Korova Milkbar making up our rassoodocks what to do with the evening, a flip dark chill winter bastard though dry. The Korova Milkbar was a milk-plus mesto, and you may, O my brothers, have forgotten what these mestos were like, things changing so skorry these days and everybody quick to forget, newspapers not being read much neither.
Oh, it was gorgeosity and yumyumyum. When it came to the Scherzo [of Beethoven's glorious Ninth] I could viddy myself very clear running and running on like very light and mysterious nogas, carving the whole litso of the creeching world with my cut-throat britva. And there was the slow movement and the lovely last singing movement still to come. I was cured all right.But jolly old England was not a safer place.
My copy of A Clockwork Orange doesn't quite predate the movie, but it does predate what later became the iconic images. I looked, but couldn't seem to find online an edition with a cover like the one above. So I scanned it and offer it to you. And in case you don't remember, here's what came out of the great success of the film:


Now, that's what I call cutting back.

Yes, and in spite of the fact that Blogger setup never lets me setup quite the way I'd like to see it setup, I am still able to tell you that among the werds I've pounded in recent months are these two novels, Being There by Jerzy Kosinski, and The Heart Is a Lonely Hunter by Carson McCullers.Chauncey has no life experience other than his garden. And television. Therefore, everything he says relates in one way or another to these things. In his simplicity he utters profound truths, but he is not actually answering the questions people ask him. Nevertheless, everyone accepts his comments and before long he has become famous. He advises the president, he attracts women, everyone comes to dote on his words.
In The Heart Is a Lonely Hunter there is also a central character, named John Singer. Singer is deaf and dumb. He has one dear friend named Spiros Antonapoulos, also deaf and dumb, and they live together in a small town in the southern US. Antonapoulos is also feeble-minded and Singer does his best to take care of him. But eventually he fails and through the machinations of Antonapoulos’ cousin, Antonapoulos is taken away to an asylum. Throughout the novel, Singer single-mindedly focuses on somehow helping Antonapoulos.
Meanwhile, he attracts the attention of four people in the town: an alcoholic labour radical, a black doctor with a mission to educate his people, the owner of a bar/restaurant, and a fourteen year old girl. One by one each of them begins to visit him. They all come to talk, which of course he can’t do. So he “listens”. And they tell him their dreams, their hopes, their fears and frustrations, their rage and their sorrow.
Now I come to what it is about these two novels that makes me put them together. In both of them, the central character is a sort of empty vessel who comes to be filled by the other characters. In both novels the supporting cast members project their own thoughts and beliefs onto the main character. Chauncey Gardiner becomes the wise man with the universal truth (when all he’s really talking about is his own garden which he misses very much) and, in the course of The Heart Is a Lonely Hunter a raft of rumours arise in the town about the nature of Singer’s past and his current life. In the end, no one knows the real Chauncey Gardiner, nor the real John Singer. Everything about them has been dreamed up by someone else. And imagine the shock of Singer’s four friends when Singer kills himself after finding out that Antonapoulos has died.
I can’t help but turn this into a bit of dharma. Is this not what we are all doing most of the time…making up stories about who we are, who our friends are, what our lives are? I don’t know about you, but I personally find that most of the stress in my life revolves around what I project outward…beliefs, desires, resentments, anxieties…in other words, the things I am making up about other people or situations.
Carson McCullers’ characters, in particular, were tormented by their inability to mould people in their own images or according to what they thought was right and necessary. We’re constantly trying to stuff the world with ourselves!
Better to just let it be.



Since the beginning of the year I have been consuming books by the pound. Eg. I am currently (re-) reading Antonia Fraser's Cromwell: The Lord Protector. Now there's a book with some heft to it. More than seven hundred pages of the finest niggling detail you could possibly imagine. And that's my review of it more or less.





Suzy Homemaker has been working for some months on a computer course built around Corel Paint-Shop Pro. She prepared this photo at my request. (I should mention that the stuff she has learned to do goes way beyond the silliness above...)

