Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Monday, June 23, 2008

Shameless Plug For the Chris Mulligan Band


Singing Songs for the Turtles

Costa Rican Sea Turtle Fundraising Concert

Time and Place
Start Time: Saturday, June 28, 2008 at 9:00pm
End Time: Sunday, June 29, 2008 at 2:00am
Location: Lancaster House Tavern
Street: 574 Lancaster Street West
City/Town: Lunchbucket, ON

Description
Kameleon (Brandy Miller, Yvonne Jarsch, Adam Webb, Pete Clough, Liam Piggott) and The Chris Mulligan Band (Chris Mulligan, Mark Tonin, Andrew Nowak, HWSRN) together for the first time!

Tickets are 10$ purchased ahead or at the door - 100% of proceeds goes towards sponsorship.

Please come out and help sponsor my volunteer abroad trip to save the turtles!
(I don't know this woman's name. HWSRN doesn't either. She's a friend of Mark Tonin's and the band agreed to play for her benefit. She has volunteered to go to Costa Rica to help save the turtles. Please, will no one think of the turtles?

Check out the cause at:
http://www.facebook.com/group.php?gid=13918145487

Please invite all of your friends!!! Everyone is more than welcome!

Add to diigoStumbleUpon Digg!

Tuesday, June 03, 2008

Lunchbucket ON aka "The Tower of Song"

Leonard Cohen came to Lunchbucket last night and played the Square Peg in the Centre of the Hole, looking almost exactly like this photo here. Despite its unfortunate name, the Square Peg is one of the best concert halls in Canaduh.

Miracle of miracles, I got to go. A day pass for the evening because, as I said to Nurse Ratchet while abasing myself and grovelling, "C'mon Nurse Ratchet! After all, he is a pote! He's Canaduh's natural national pote now that Irving Layton's gone."

Nurse Ratchet sniffed and said, "Larry he is a po-ette, not a pote. When are you going to surrender your shiftless rebelliousness and stop trying to rearrange the language according to your own arcane little rules?"

"There's nothing ette about Leonard Cohen", sez I, "And I'll surrender when they erect a monument to Ogden Nash in Timeless Square! Meanwhile, kin I go see Leonard Coe, kin I huh, kin I please, pretty please?"

And so she let me. And Suzy Homemaker too, as a sort of chaperone.

Really, it's no con to say Leonard Cohen is a pote. He's a real life, legit, musical pote. And he's a Canajun national treasure...one whom many Canajuns don't even really know. More's the pity.

But the audience last night was positively adulatory. They gave him a standing ovation before he even started! And then he started with The Future. And just went on from there into the past, the present, the non-existent, the fantastic, the revelatory, the self-deprecatory, the whole story.

I'm not sure quite how old he is, about 75. After the third song or so, he commented how he hadn't been on that stage for 15 years, back when he was just a kid with a crazy dream. He was clearly enjoying performing, but one can't help but wonder if he'd just as soon be home in his drawing room petting his partner. Because really, the only reason he's on tour...the only reason we get the pleasure of seeing him perform a 3 hour tour of his music, is because he needs the money. And that's a whole other story of not "Taking Care of Business" I guess and getting screwed because of it. Trusting someone too much, or not really caring about what might happen. And if it was the latter, then that was his secret, unconscious plan to end up back on the road playing to thousands of adoring fans.

The band was fabulous, of course. Naturally, because of HWSRN, I have an affinity for the keyboard player of any band. Cohen's keyboard player was Neil Larsen, an absolute master of the Hammond B3, and a name I recognized immediately, tho I can't say who he's played with. However, he has a sound-patch for the old Yamaha DX7 synth named after him.

Cohen rolled out all the hits. He started off his second set with Tower of Song which, for me anyway, is nothing short of sublime and contains what I think may be his most famous line: "I was born with the gift of a golden voice..." Pure irony, of course, but he actually does sing pretty well, although not always on pitch. He has a poet's sense of timing too...knows just when to be a little off-beat from the backup singers. At the end of the song, the back-up singers sing, "Doo dum dum dum de doo dum dum." When it was over, Cohen said that he had studied the spiritual masters looking for the key to life. And that was the answer. Doo dum dum dum de doo dum dum.

All night long, the songs, the lines, seemed to be making reference to his current situation...the financial one, I mean, and the necessity of touring. But also to his past. He made jokes about his spiritual quest, his drinking, his loves and losses. He even dedicated a song to Bo Diddley...the most un-Bo song he has, Take This Waltz. And the audience lapped it up.

Then the show was over. But the master showman (who barely has to even move to get a reaction) kept coming back for more. Giving more. Encore after encore. The people loved it. Even tho it was clearly planned that way. For one encore they barely went off stage and meanwhile the stage crew were bringing out Leonard's guitar and rearranging things. Obviously he was coming back. There were, maybe, two people who got bored.

Not me. If I could write one song as well-crafted as Hallelujah, I'd die a happy wayward pote.

Add to diigoStumbleUpon Digg!

Friday, May 30, 2008

Cats Will Be Cats and Cats Play Theremin



Add to diigoStumbleUpon Digg!

Monday, May 19, 2008

Chris Mulligan Band Debut Gig

OK. By way of preamble, let me say, the next couple of postings will be mostly photos. I'm catching up on some things that have been happening in recent days. Regrettably, I am not necessarily able to be present for all these things, why? Cuz I'm cooped up in the Yoni School. For Wayward Poets.

Nurse Ratchet has only so many gears. Slow and stop. Sometimes when I ask real nice, she gives me the day pass, and the day passes without incident. Wherever that incident might be occurring. But sometimes Nurse Ratchet says "Whoa there, Mr. Keiler, buddy, what do you think this is? Hotel Yoni? Think you can waltz in and out whenever you feel like? Don't forget, this is incarceration! For Miss Phelonius Spelling. And you too! Sit back and do your time, meter and rhyme awright? And don't bother me so much."

Well, first of all, this ain't no incarceration. It's more like incineration, a conflagration of memorization, insanitization of the po-tic nation. Some days she gets me in that vice grip of hers. You know, she turns the little screw and it slowly squeezes until all the little vices floating around in my cranium begin to squirm and I just want to scream, "All right already! I promise I'll conform. I'll perform. I'll reform. I'll bee the speling bee champ for you. VICE! V. I. S. E! VICE!"

And B: Nurse Ratchet, I don't waltz. I can't rhyme in 3/4 time. Four on the floor for me, see? That's the problem. I can't do that ther Yoni Waltz. It ain't no ballroom. It ain't no Johann Strauss Orchestra. It's the Wayward Poets wandering the halls, climbing the walls, kickin' in the stalls, catcalls and pratfalls. And I need to get out of it sometimes, just to be assured that sweet chaos still reigns in the po-tic jungles of Ontariario.

But a day pass is a pass for a day and some days there ain't no way to get a pass for a day. So I have to rely on outside sources, the primary one being HWSRN. He has the run of the roads. I, in my tiny cell flanked by cafetearias and nursetearias and roll-top desks filled with fountain pens and parchment (the tools used by true potes, not we ersatz versifiers) I at least have the run of the Internet, which is not forbidden to us because there are so many resources available to help us rehabilitate our bad language habits. (I've been ordered to stay away from the comments sections of political and news sites, though, because they're overwhelmed with bad grammar and execrable spelling. Sorry, political bloggers and columnists and Yahoonies, but when I see the level of illiteracy, rudity and downright stupidity in the peanut gallery of the Net, it is to weep.)

HWSRN obliges me, however, by providing snippets of outside life. Mostly related to him, of course. I cannot guilt him into starting his own bloody blog. Mine is too convenient for him, and I too desperate for legitimacy.

So. As my friend Veronica Goodheart is wont to say.

So.

Yesterday, HWSRN played the first gig with the Chris Mulligan Band (CMB). I mean, it was their first outing in public, an event called the Come Together Festival. This took place at a place called the Frontier Ghost Town, a rather sad-looking, bedraggled collection of ramshackle buildings and old cars and campsites a little ways outside of Durham Ontariario. Here are a couple of photos of the venue:






















HWSRN sez the pitchers make it look a whole lot purtier than it really wuz, but it had been raining all day and the pathways were a sea of mud. It's probably much nicer when the weather's good.

Too, bad, sez HWSRN, but there's no photo of the Saloon. Which is where all the bands were playing. There was a big tent set up outside, but the bad weather had forced everyone into the smaller venue. The Saloon, however, was comfortable in its own primitive way, and the saloonistas were rockin'.

So here are a few photos of the Chris Mulligan band. The members are:
Chris Mulligan - guitar
Mark Tonin - bass
Andrew Nowak - drums
HWSRN - keyboards

























You can find out more about Chris Mulligan Band and hear some recently-recorded clips at Chris' MySpace page.

Add to diigoStumbleUpon Digg!

Monday, April 07, 2008

Update on "Gonna Keep Dancing"

Gonna Keep Dancing Crashes & Burns


I'm sorry to report that "Gonna Keep Dancing" did not win the Juno Award last night. Sadly, for Eddie, the award was won by:

There has been no word from Eddie directly yet, but my guess is he's still recovering from the Juno parties. Even if you don't win, there's lots of fun to be had. And I expect also that he's not completely disappointed. He was astonished to receive the nomination in the first place. Congratulations to Ms. Gould, and to Eddie: Make another one!

Meanwhile, you can encourage Eddie by going to his site and buying his CD so he can pay for the next one!

For a listing of other winners, you can go to the Juno site.

Add to diigoStumbleUpon Digg!

Wednesday, February 27, 2008

Peace Today

All right, don't everybody go and get all mushy on me, OK?



Digg! diigo it

Sunday, February 10, 2008

5 Grammys for Amy Winehouse

OK, all right. Amy Winehouse swore she wouldn't go to rehab. But she did. Then the Murricans denied her a visa so she couldn't go to the Grammy Awards ceremony. But the rehab let her out so she could do a satellite performance. And she won five Grammy awards. Including Best Song for Rehab. Not bad.

I hope she pulls it together and the rehab sticks.

Digg! diigo it

Saturday, February 09, 2008

"Gonna Keep Dancing" Nominated for Juno!



Hey! Here's some Fantastic news! Fabulous news! Wonderful news! Excellent news! Glad Tidings news!

This recording here, which I wrote about last September and which HWSRN played several tracks on a couple years ago, has been nominated for a Juno Award in the Childrens' Music category! (For those of you reading from other countries, the Junos are the Canajun equivalent of the Grammy Awards.


Here's a screenshot of the Juno Awards page taken with one of my latest blogging toys, Fireshot, which is a Firefox extension of Screenshot Studio. Neat little toy, when it doesn't crash your browser (which it has not the last few times I played with it.) Anway...the screen shot:



I'm just so thrilled and happy for both Eddie and HWSRN. The Juno Awards show will air on CTV on April 6/08, so be sure and watch. Meanwhile, you just go back to my posting in September cuz I also posted one of the tunes off the album and you can hear just why it deserved such a prestigious nomination.

Digg! diigo it

Saturday, February 02, 2008

OMG, The Mellotron Demo Video!

This video blew me away. These two British geezers were instrumental in the development and marketing of the Mellotron? Unbelievable!

This was the instrument (or one of them, at least) that revolutionized the sound of music in the 70s. The Beatles used one. Moody Blues built their sound around one. Rick Wakeman & Yes. Strawbs. Pink Floyd. The list is endless. I mean, even Bob Seger used one!

And it was these two guys?

On the other hand...watch the video. I don't believe I ever heard anyone use a Mellotron the way these two guys envisioned it. I never knew Mellotrons had separate rhythm sections and one-finger accompaniment. In those days, that must have been completely unheard of. Or maybe not...I remember seeing and hearing a Lowry organ, one of those big home console models that did the automatic rhythm accompaniment thing in the mid-70s.

But those two geezers?

Now that I think about it...maybe there's still hope...for all us geezers...



Digg! diigo it

Monday, January 28, 2008

BFB Live at Oktoberfest/07

OK, I know it's January. But I'm finally getting around to working through the little bit of live recording that Paulie did on the last two nights of Oktoberfest. So, here's BFB doing a version of Amy Winehouse's Rehab. Which I picked for the first example because she's been in the news so much lately.

The recording is taken straight from the sound board, so the mix you hear is not quite what you would have heard live. But it's not bad, since it's really just a two-track stereo recording. More examples will be forthcoming.

BFB (Black Forest Band): Rehab (Live)
(PS, I hope this music player works...DivShare has been unreliable of late...)



Digg! diigo it

Thursday, January 24, 2008

They Tried to Make Me Go to Rehab...

AP - Thu, 24 Jan 2008 16:18:26 -0500 (EST)
I Said, "Ohhh, If You Insist...."
(For those of you who don't know....and who couldn't know by now?...this is Amy Winehouse, who made a big splash with her hit, Rehab, and could have a long and stellar career if only she could get clean and sober.)

Digg! diigo it

Song of the Day

Led Zeppelin: The Lemon Song



Digg! diigo it

Saturday, January 19, 2008

Song of the Day

Lovin' Spoonful - What a Day For a Daydream




Digg! diigo it

Monday, January 14, 2008

Beatsters Beware: Ball-Bearing Beatbox



Digg! diigo it

Sunday, December 30, 2007

Tejano Style

Larry just joined a Yahoo group for accordion players, which led him to this video from the Tejano Music Awards.

(Larry has temporarily adopted the third person, cuz who wants to admit he joined an accordion Yahoo group?)

Check out this video. The accordion player must have listened to every Flaco Jimenez recording ever made. A good player...in that style. Larry thinks the gloves with the swoosh are a bit much though. Maybe he was nervous about being on TV? Cold in the theatre?

Larry doesn't know what to make of the choreography. The audience seems to like it.

The performer's name is Eddie Gonzales, who Larry assumes is the singer. Accordion player unknown.



Digg! diigo it

Saturday, November 17, 2007

Song of the Day

Led Zeppelin: Hots on for Nowhere
-- because I happened to be listening to it last night on Finetune.



Digg! diigo it

Saturday, November 10, 2007

Song of the Day

Southside Johnny & The Asbury Jukes: I'm So Anxious



Digg! diigo it

Monday, November 05, 2007

Song of the Day

The Dixie Chicks: Long Time Gone


Digg! diigo it

Tuesday, October 30, 2007

Playin' in a Travellin' Band - Part 2

HWSRN has certainly learned the Airport Security Drill. Flying out of Lunchbucket International bound for Cowtown Alberta where the cows bathe in oil and the execs stampede from one sludgepot to another. The band was headed for Edmountain, of course, but they had a two-hour layover in Cowtown.

Security in Lunchbucket is thorough and not too quick. They swabbed one of HWSRN's flight cases...the one that has the electronic accordion generator in it. Too many wires. Too many obvious circuit boards. That's OK. The world is an increasingly paranoid place. Life is constrained now. You do have a choice. You can stay at home. Save the ozone.

Nevertheless, the band passed through the electronic arches in relative comfort, minus Voin's needle nose pliers.

Then Cowtown.

Not only is paranoia the order of the day. The nation has become positively unfriendly to those poor slobs who still smoke the demon tobacco. Even the flight attendants make fun at their expense. (Ladies and gentlemen, you will find our smoking section off on the right wing. The in-flight movie is Gone With the Wind...ha ha!) HWSRN is unrepentant...a dirty filthy smelly barbarian of a smoker. He must have his smoke.

The Cowtown airport is long. Long and narrow under conditions of addictive compulsion. Long, narrow and nearly endless. There are no exits but the one. That one at the other end of the airport. About half-way, HWSRN waylaid a couple of WestJet employees and was told that if one must smoke, the only place was at the far end, out past the TimHo's, out past the security gates, out past the Departures entrance, across the road, next to the parking garage. Another postal code away, as they said so cheerfully. And there, next to the driveway and the traffic calming and the stacked floors of parked cars, you may fire up your foul weed and inhale to your heart's detriment the delightful mixture of tobacco and exhaust fumes.

Fine. HWSRN puts up with all this, all these little inconveniences and demeaning gestures, cuz he smokes, he flies, and this is a weird planet and he certainly lives on it most of the time.

But you noticed that I said that the smoking ghetto is outside, right? Past the security gates. Which means that one must pass thru security again to get back on de plane. A two-hour layover is long enough to go for two smokes. So HWSRN passed thru security at Cowtown International Aeroport two times. He knows how to do it now. The first time they took away his water bottle cuz he forgot it was even in his bag. He'd taken it off the plane to drink it. They would be travelling to Edmountain on a different plane. So he gave up his water. Other than that there was no problem.

An hour later he repeated the same process. This time no water. But he had his bag pulled aside by the same security woman who had taken his water earlier. There was some suspicious electronic device in this nondescript Labatt's Blue duffel bag. HWSRN's iPod. Which had been there in exactly the same place an hour earlier. Which simply goes to show. Airport security is an ass.

I asked HWSRN why he didn't just leave his bag with someone in the band, take off his pants and shirt and go out like that. Nothin' but a lighter and a pack of smokes. He was aghast. He is under the impression that it's a federal offence to leave your carry-on luggage with anyone but the person who so lovingly packed it. And he may be right. Aeroport security is as likely to blow up any unobtrusive package as look at you.

There you have it. Terrorists are everywhere. Cowtown especially. Oil. Money. Get it? HWSRN is convinced he encountered one in the airport men's room. He was bearded and his flow was rather erratic.

On to Edmountain and the Westin Hotel. Everything there is plush. And for sale. The bathrobe hanging on the inside of the bathroom door is plush. Pure white. Don't touch it. It could cost you $150. There is a hydra-headed shower apparatus. You may avoid one, but the other will get you for sure. If you want bathroom fixtures just like the ones in the hotel, you can order them from the catalogue. The bed is plush. You could die in that bed and never know it. They could just take that mattress, stuff it into a box and you could lie in plush eternity, blushing at the luxury. The pillows are plush. The duvet is plush. But heavy. HWSRN calls it the X-ray blanket. You spread it over yourself and you are suddenly immobile. The hospital corners are plush. Also immovable. Voin says you could wake up with a sprained ankle. The coffee is Starbuck's and actually good. The breakfast buffet is $20. Which is a deal cuz if you order à la carte, the orange juice alone is five bucks. (But it's fabulous OJ.) You need a key to make the elevator go to the guest floors. (This is the hotel equivalent of aeroport security.) The doorman opens the door even if you're wearing track pants. If you want to smoke, you must go 60 metres away from the door. To another postal code.

Oh, and there was a gig. At the Shaw Conference Centre. The Edmountaineers love this party. It sells out every year. They come to drink beer, eat German style, polka and waltz, chicken dance and hokey pokey for the first part of the night, then mosh up to the front of the stage for whatever classic rock band has been hired that year.

Which leads me to the perennial problem with that gig. The sound company and their employees. BFB has played that gig for somewhere around 15 years. Each year with a different rock band. Some of those bands are coming around for their second time. But BFB returns every year. Somehow the sound techs have not figured out that BFB is the staple and the other guys are just passing through. Therefore, they sometimes treat BFB disrespectfully. As if the band is there for them, and not the other way around. Part of the problem comes from the fact that BFB always starts the night off, so they seem like the warmup band. Which they are not. Since they are a complete show in themselves. And the boss knows it.

I won't name this sound company, but it starts with an A, ends with an E, and HWSRN says they should have a big X through the middle of them. In fact, if it was up to him, they'd be AXEd before sundown. Some years are better than others, but in fact, they have never once gotten everything right. And this year, the techs were arrogant and rude, and decided that eating their lunch was more important than making sure Sonja had a working mic to yodel into. Disgraceful.

From all this, you might conclude that the travellin' part and the gig part are more trouble than they're worth. But you'd be wrong. If you ask HWSRN he'll tell you they had a good time. Way more fun than an enema.

Digg! diigo it

Tuesday, October 23, 2007

Playin' in a Travellin' Band

Oh yes, BFB travels when the stars are in alignment.

This past weekend the band played the two casinos in Winterpeg. Where it is not yet winter. A little cool, a little rainy, but not yet winter.

The band was housed at Club Regent Hotel, next door to Club Regent Casino. In Kildonan, not far from Transcona.

It's a pretty ordinary hotel, but after all, the guests don't really come there for the luxury of the beds.

The casino is the main attraction and it actually features a bit more than the drone and blink of VLTs and slots. To quote the website: Our Caribbean Resort experience includes the treasures of Neptune's Cave and an awe-inspiring undersea world featuring the largest, walk-through saltwater aquarium in the entire Midwest. Hundreds of tropical fish from around the world to guard the wreck of Galleon Reef. And it's true, the aquarium is quite a sight.

The first gig was in a downstairs lounge called Jaguars Dance Club. A lot of ballroom dancer types. Liked the latin stuff. Salsa. Calypso. Mambo. But of course, BFB played the Oktoberfest schtick. That's what they were hired to do. Yodelay ee hoo.

The next night was McPhillips Street Station at the other end of town.

This was a different kind of gig. BFB played the main stage, a concert, which is a strange kind of situation for what is normally a dance/party band. 90 minutes of show here. What to do? Can't get the people up doing the Bird Dance or the Hokey Pokey...

But in fact the show went very well. Good pacing, the band played hot, the people clapped, the people hollered, the people sang along to some of the old standards. BFB has this new chant kind of thing that worked well that night: "Who are we? BFB! Who are we? BFB! Who are you? Family! Who are you? Family!"

Ah, the glamour and the glory.

Not.

The band loves it when a gig goes well, when the people have enjoyed themselves, when the management is happy. But there are other considerations.

Travel is hard, really. And can be complicated. No tubas in BFB (cuz it's not repeat not an oompah band) but there is some heavy equipment and fragile instruments. Airlines are notorious for their carelessness and their indifference to the needs of musicians. In fact, the American Federation of Musicians imposed a boycott of Delta Airlines in the US for quite some time because they refused to make any concessions whatsoever to the special handling needs of AFM members. WestJet, on this flight out, wanted to charge $40 for three pounds overweight on one case. Gone are the days of pre-9/11, when airline
s were flush with profits from their monopoly routes (or, alternatively, competing hard for your business...Wardair vs. Air Canada, Canadian Airlines vs. Air Canada...in those days, they competed by offering perks, now they compete by price alone, the cheaper the better and service be damned...just make sure your liquids are properly bagged and shoved up the first available orifice...But don't get the wrong impression, HWSRN is not particularly complaining about WestJet, cuz, if anything, they're more pleasant than the Air Canadians.)

The flight cases HWSRN currently uses to transport his equipment cost in the neighbourhood of $1500. His accordion case is made of corrugated aluminum, welded, custom-made for the accordion. Thanks to WestJet it now has a not-very-aesthetic crunch in one corner. Air Canada put a nice dent in one side the very first time it was used. (
"I'm sorry sir, but see, like it says here on the paper we keep handy for situations exactly like yours because they occur every day all day, airlines don't cover dents and scratches...we only cover our asses.") Fortunately, the manufacturer of the case, Engineered Case Mfg. in Mistersauga, took more care than airlines ever do, and the accordion has suffered no damage since HWSRN started using it.

The recalcitrance of airlines is one reason why BFB and all other bands struggle to keep their equipment load to a minimum. And that means renting at the other end. Certain things are easily rented...drum kits, mics, PA systems. Other instruments are more iffy.

For Winterpeg, BFB rented a bass guitar, which turned out just fine. Voin requested an electric guitar and an acoustic. Voin, however, is left-handed, so that complicates things. On arrival, he found a Fender Telecaster, which is what he uses at h
ome. And a Takamine acoustic. Within seconds, testing the Telecaster, he had broken a string. Old strings. By the time sound check was finished, he had discovered that the Telecaster simply would not stay in tune because it had not been set up properly. He picked up the acoustic and it died within minutes because the battery was dead. Voin, being himself, went ballistic, and after a period of ranting and hollering at the music store guy, it was determined that the store would deliver another guitar. Which they did, about an hour into the gig. This one was a Stratocaster, a nice guitar, which Voin liked, but later in the evening, it too broke a string, so he was back to the Tele.

In a certain sense, a guitar is a guitar, and a guitar player can play any guitar and perform adequately. Not so with electronic keyboards. Rent an electronic accordion? Forget it. So HWSRN always has to bring his accordion rig with him. And the other keyboards, well...except for basic organ, piano, string and horn sounds, one keyboard
cannot replace another. HWSRN's main keyboard is a Korg Triton LE, a model which is a few years old. It's been replaced by a newer model called the TR, which is pretty much the same, except for its data storage system. The two are not compatible, but the sounds are transferable. So with some computer finagling, HWSRN was able to use the TR88 that was supplied, loaded with his customized sound patches. The TR88 performed flawlessly, mainly because that keyboard was right off the store shelf and still had the price tag on it.

His second keyboard, however (third, if you count the accordion) is an ancient instrument called a Yamaha DX7. The DX7 was the first wildly popular digital synthesizer. HWSRN's is probably 25 years old and still in pretty good shape. But 25 years...have you any idea how old that is in dog years? They are starting to get rare. He was told that they had one for him out in Winterpeg. In fact they had two. The first, and best-looki
ng one was a DX7II-FD, a later model of the DX7. Not compatible. Again, different data storage systems. The second was just like his. The only problem with that one was that it did not work. At all. Nothing but static could be coaxed out of that box.

So he did without. But as the evening wore on, he realized more and more how much he actually used his DX7. Primarily for specific sounds he'd never heard on any other keyboard. (Which leaves him now with the dilemma of what to do when his own DX7 finally fails. Look for other sounds, I guess. He's researching a newer Yamaha keyboard which, it's said, can replicate the old DX sounds...) So HWSRN spent the weekend short one keyboard. Ah, but the show must go on.

And it did too. The next night was the triumphant show a
t McPhillips Street. Great show. Everybody in the band analysing and concluding that it was great. The stage manager effusive. The techies all very friendly. Comes the end of the night, the band wants to hang out in the green room and dig into the deli platter placed in the rider of the contract. HWSRN skipped supper in the expectation of food at the end of the gig. However, no food to be found. (Did I mention the casino has a McDonalds?....) The stage manager apologetic but foodless. Then it turns out also that the paycheque is locked in the lockbox and no one has the key. The stage manager apologetic and chequeless. He gave the band fancy folding pens with the casino logo on them. (The paycheque is not a major problem. It will come, only late. It's not likely that a government-run casino will welch on a legit contract. But it calls to mind the old joke: "What do you call a guitar player without a girlfriend?" Homeless.)

So, as you can see, when it comes to essential elements of a perfect road gig, this one is not stacking up so well.

And the finale.

When BFB travels, they get a limousine service. This is not as fancy as it sounds. Not the shiny white stretch limo. More like a big cargo van. Sometimes with seats. Sometimes not. It's for carrying both people and equipment to the venue or the hotel. So in Winterpeg, the band had a driver pick them up, a little late. He took them to the hotel along with their gear. And he picked them up early Saturday morning after the gig at Jagu
ars Dance Club to take them over to McPhillips because, in the weird logic of the road, it made more sense to set up and do sound check at 2:30am, immediately after the previous gig, than to do it at the usual time for McPhillips sound checks, that is, 5:30am. (5:30am, you ask? Who does sound checks at 5:30am? The casino, because they're closed then, that's why. Besides, what a treat that is for the musicians...) Anyway, this way the band could sleep the day away, if necessary, before the gig.

Saturday, a different driver picked them up at the hotel and drove them to McPhillips Street Station for the show. And he picked them up after it was over. The band had an early flight out of Winterpeg, and the driver was scheduled to pick them up at the hotel at 4:20am. The band left their gear in the van, because it was only about thr
ee hours before pickup time.

Except the driver never showed up.

Thirty minutes after the scheduled time, the band was in 3 Prius taxis racing across town in $30 trips to the airport. Without the equipment. They made their flight all right. But the gear didn't. BFB never saw the driver, but he must have arrived at the airport some time later and dumped the gear off, which WestJet obligingly flew to Hawgtown later in the day. And HWSRN, since he's a courier during the day, picked it up and charged $125 (which he has yet to collect from whoever is going to pay the bill...the agent, the limousine company, the casino...)

As for the driver, falling asleep on the job is not a good thing. It usually means that you have much more time on your hands to sleep just about any time you want. Because in this case, whoever is paying has a $100 taxi bill, a $125 courier bill, and possibly the freight charges for the WestJet flight. An expensive nap.

That's just one story about playing in a travelling band. I never did get around to blogging about the comedy of errors that accompanied BFB's gig in Edmonton a year ago. Or about the road trip to Fort Wayne when the water pump blew out in the middle of the night somewhere in the wilds of Ohio and two scary-looking tattooed punks accompanied one of their number to an all-night auto parts store! Or driving through the Shield of northern Ontariario (again in the middle of the night) in a snowstorm in a van where the choice was be
tween headlights or heater, listening to the apocalyptic sounds of Yes playing Close to the Edge. And they were. Close to the edge.

But speaking of Edmonton. It's that time of year again. This Saturday night BFB will again be playing the Shaw Conference Centre:

As far as road gigs are concerned, this one is primo. The band gets treated very well, the crowd is always good, and big, and responsive. Which doesn't mean that everything can't go south in a heartbeat. Stay tuned.

Here are details for the gig. If you are in Edmonton, or close by, or feel like travelling yourself, check it out.

Name:Oktoberfest to Rocktoberfest 2007
Start Date:10/27/2007
End Date:10/27/2007
Hours:Doors open at 6:30 pm
Location:Shaw Conference Centre
Address:9797 Jasper Avenue
City:Edmonton
Cost:$28.25 plus GST
Contact:Shaw Conference Centre
Phone:780-421-9797
Website:www.shawconferencecentre.com
Description:

It’s time for the biggest Oktoberfest celebration in Western Canada – Saturday, October 27th the Shaw Conference Centre presents Oktoberfest to Rocktoberfest 2007. This year’s annual party classic features a German feast, good old oom-pah-pah favorites and polkas. The Black Forest Band is charged with the traditional music festivities followed by Canada’s own rock ‘n’ roller David Wilcox at midnight. Tickets are $28.25 plus GST, available only at the Shaw Conference Centre Administration Office or charge by phone at (780) 421-9797. The ticket includes a Bavarian feast, a commemorative Oktoberfest 2007 beer mug at the door and the chance to win great prizes, including a trip for two to Germany. It’s an annual sell out, so act fast! TICKETS GO ON SALE FRIDAY, SEPTEMBER 14th.



Digg! diigo it
free web counter
free web counter
Help! I've written and I can't get up!
Powered by WebRing.